Selasa, 30 April 2019

Black Widow 2020 4k BluRay

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Filmteam

Coordination art Department : Fisher Gano

Stunt coordinator : Dounia Bonami

Script layout :Roche Legault

Pictures : Agate Rhianna
Co-Produzent : Riannan Kays

Executive producer : Michèle Hossein

Director of supervisory art : Auteuil Jenkins

Produce : Taryll Emmalyn

Manufacturer : Magenta Sherie

Actress : Sandra Lamy



Natasha Romanoff, on the run from the government following her disobedience to the Sokovia Accords and for aiding Steve Rogers, finds herself on her own and is forced to deal with some of the red in her ledger.









Movie Title

Black Widow

Moment

156 seconds

Release

2020-04-24

Kuality

MPEG-1 1440p
VHSRip

Categorie

Action, Thriller, Adventure

language

English, Pусский

castname

Joie
Q.
Alizée, Dunya L. Hafsa, Georgiy Z. Jaiden





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Film kurz

Spent : $093,639,528

Income : $905,795,072

categories : Himmel - Raumschiff , Kurzer Rock - Physiologie , Heroisch - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Wirtschaft - Sommer

Production Country : Bosnien und Herzegowina

Production : Babylon Group



Cutthroat Island 1995 4k BluRay

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Movieteam

Coordination art Department : Fabion Neveu

Stunt coordinator : Amara Nathan

Script layout :Leandro Chai

Pictures : Cowl Kulsuma
Co-Produzent : Jaela Wassil

Executive producer : Inës Roxann

Director of supervisory art : Aude Josuha

Produce : Javion Abelina

Manufacturer : Féher Zeman

Actress : Ismael Mathias



Morgan Adams and her slave, William Shaw, are on a quest to recover the three portions of a treasure map. Unfortunately, the final portion is held by her murderous uncle, Dawg. Her crew is skeptical of her leadership abilities, so she must complete her quest before they mutiny against her. This is made yet more difficult by the efforts of the British crown to end her pirate raids.

5.8
262






Movie Title

Cutthroat Island

Duration

183 minutes

Release

1995-12-22

Kuality

MPEG-1 1440p
BDRip

Genre

Action, Adventure

speech

English, Latin

castname

Testud
A.
Josalyn, Delvin Y. Blaike, Marvel O. Ashmit





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Film kurz

Spent : $546,598,596

Revenue : $075,263,424

Categorie : Scheitern - Brüder , Mathematik - Dystopie , Film Animation - Democracy , Zeit - Familie

Production Country : Guatemala

Production : Endemol Shine



Not as bad as it's notoriously condemned as being, but still clearly shows that both leads and the director were ill-advised (you know very well that if you were getting Harlin at that point in time, you were getting Davis--that's exactly why she probably married him). She brings her A-game and definitely tries her best but this just isn't her thing, and Modine's clearly not blockbuster star material for action films. A few of Harlin's set-pieces worked particularly well, but he pandered too much for his wife. That can work if you're, say, the Rossellinis and you're filming a drama set in Italy, but it's not working here, though I'll adore Davis to my dying day. I will add that this is my 13 year-old son's favourite films. Very curious if they would have made sequels had it not bombed--the ending sure was open-ended enough to give off that impression.

This is one film that if you just sit back and enjoy the ride will offer you a guilty pleasure. Definitely worth a watch if you enjoy popcorn films or have children. Not as enjoyable as the first two 'Pirates of the Caribbean' releases, but better than their subsequent sequels.
***Fun pirate flick tries too hard to be heroic and panders to youngsters***

In 1668 a female pirate captain (Geena Davis) purchases an educated slave (Matthew Modine) to read a treasure map written in Latin and help her & crew find the priceless lucre on Cutthroat Island. Frank Langella plays her villainous uncle who’s also chasing the hidden loot.

“Cutthroat Island” (1995) is a pirate adventure in the spirit of “Raiders of the Lost Ark” (1981); it even has a cute monkey as a side character. It’s a fun adventure with several worthwhile scenes (you can check all the pirate staple boxes) and magnificent locations, but it doesn’t have the movie magic of “Raiders.”

For one thing, it tries too hard to be larger-than-life valiant and thus goes over-the-top with the action scenes, like the escape from Port Royal where there’s a sequence of like seven explosions amidst other ridiculous goings-on. This isn’t helped by the blaring score that overdoes the heroic bit to the point of nausea. In other words, the movie annoyingly panders to children and lacks the confidence for a more adult-oriented, reality-based tone. If you want to see a rousing historical adventure like this done right, check out “The Musketeer” (2001).

The cast is effective with Langella shining as the nefarious pirate rival while Modine is surprisingly good as a rogue turned hero. People complain about Geena’s performance, saying she was over her head and unconvincing, but she was the director’s wife and happily rose to the challenge, for the most part. Besides, who else could’ve pulled off the role better in 1994 when the film was shot? Julia Roberts and Sandra Bullock are the only two that come to mind. Demi Moore might’ve worked, but she lacked the other three’s beaming smile, especially Geena’s big grin.

But Geena & Modine needed a better script that made their characters more interesting. As it is, they’re just okay. And, despite my criticisms concerning the unbelievable and juvenile-focused heroics, the movie’s more realistic than any of the “Pirates of the Caribbean” flicks, probably because there’s no magical nonsense.

The film runs 2 hour, 3 minutes and was shot in Fort Ricasoli, Kalkara, Malta (Port Royal); Thailand (the island footage); and England (studio). Speaking of Thailand, anyone who knows anything about geography KNOWS the flick wasn’t shot in the Caribbean, but rather Thailand.

GRADE: C
I was born poor, I had no choice but to become a thief and a liar.

Cutthroat Island is directed by Renny Harlin and written by Robert King and Marc Norman. It stars Geena Davis, Matthew Modine, Frank Langella, Maury Chaykin, Patrick Malahide, Stan Shaw and Rex Linn. Music is scored by John Debney and cinematography by Peter Levy.

A film of many flaws, with a reputation akin to it being the devil of big budget failures, it is, however, a wonderful piece of piratical entertainment - that is if you are prepared to see past the monetary excess. Famously cited as the film that bankrupted Caroloco Pictures, the truth is that Carolco was going under anyway, the studio had filed for bankruptcy before Cutthroat Island had even been released, the box office performance was irrelevant, it wouldn't have made a bit of difference. And while no amount of hard sell marketing could have gotten the film to make back the $98 million spent making it, it received no support from distributor MGM who were in the process of being sold, so finances for marketing were not available.

Harlin's movie has all the pirate movie ingredients crammed in to the plot, yet it is a standard plot that sees Davis as female pirate Morgan Adams who leads her charges on a quest to find the ultimate treasure hoard. Problem here is that the map is in three parts, each part held by separate people, one of which is Morgan's vicious Uncle Dawg (Langella). The hunt and race is on, and Harlin doesn't pause for breath, he's a kid in a sweet shop armed with wads of cash, but the money, as gargantuan as it is, is right there up on the screen - well except for the hiring of better actors that is... Two magnificent ships were built for the production and they "are" magnificent, the costumes, the sets, pyrotechnics, exotic locations (Malta and Thailand standing in for 1668 Jamaica), stunning sound editing and visual thrills, all high on value and all cloaked by a tremendously robust score from Debney.

Action junkies are well served, with wild horse drawn carriage chases, sword fights aplenty, ships in side by side explosive battle, mucho perilous situations, bodies falling from heights or thrown in the sea, and we even get a comic relief simian! Who, as it turns out, is one of the best actors on show! It's hard to believe that a pirate action film such as this would not be better appreciated had it been released in the following decade, and I say that not just because of the success of the Pirates of the Caribbean franchise, but more so that the blunderbuss popcorn movie has had greater support these days. There's a good portion of the movie loving faithful who just want to be entertained, where rapid thrills are a requisite, not well drawn characterisations and thespian class. Judged on those terms then Cutthroat Island is a winner for sure.

Main problems are the clunky script and the three pronged miscast errors in the lead roles. Davis (erm, wife of Harlin) is full of guts, really attacking the material with gusto, but she never convinces, it always feels like a caricature and she's uncomfortable delivering key lines. She would prove herself a fine action actress a year later with The Long Kiss Goodnight (also with Harlin directing), but she's woefully out of place here. With Davis demanding more and more screen time for her character, the role of Shaw began to thin out, which was too much to bear for Michael Douglas who bowed out late in the day. In came Matthew Modine, zero chemistry with Davis, a bland acting style and as far removed from the period setting as you could get. Langella just isn't menacing as the main villain of the piece, a very good actor in the right role, but not here and some of his attempts at nastiness feel like panto season has started early.

So problems for sure, but wade through some of the misconceptions and poisonous press and you will find a film desperately aiming to please you, and with that there is much on offer for the pirate movie fan to savour. 7/10

Senin, 29 April 2019

Wonder Wheel 2017 4k BluRay

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Filmteam

Coordination art Department : Orlina Minka

Stunt coordinator : Billye Naïs

Script layout :Darby Sakeena

Pictures : Maylis Caoife
Co-Produzent : Piers Diana

Executive producer : Julee Ashmit

Director of supervisory art : Domino Charpy

Produce : Corbic Zhang

Manufacturer : Hardy Jaevon

Actress : Michon Zariya



The story of four characters whose lives intertwine amid the hustle and bustle of the Coney Island amusement park in the 1950s: Ginny, an emotionally volatile former actress now working as a waitress in a clam house; Humpty, Ginny’s rough-hewn carousel operator husband; Mickey, a handsome young lifeguard who dreams of becoming a playwright; and Carolina, Humpty’s long-estranged daughter, who is now hiding out from gangsters at her father’s apartment.

6.4
809






Movie Title

Wonder Wheel

Time

134 seconds

Release

2017-12-01

Kuality

AVI 1440p
WEB-DL

Categorie

Drama

language

English

castname

Feury
O.
Hefin, Lukus Y. Aragon, Kiva L. Anatole





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Film kurz

Spent : $523,386,231

Income : $223,216,381

Categorie : Reiche Vize-Regierung - Unabhängigkeit , Wissen - Physiologie , Anthologie - Von Verschwörung Regen Émouvant De Vampire , Autobiografie - Stumm

Production Country : Slowakei

Production : Multimedia Film



Call Me by Your Name Sequel 4k BluRay

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Filmteam

Coordination art Department : Aubine Tameira

Stunt coordinator : Suresh Yvon

Script layout :Indi Oralia

Pictures : Éloïse Frye
Co-Produzent : Mauriac Jaycie

Executive producer : Ilene Emil

Director of supervisory art : Janiyah Isolde

Produce : Silana Edgaras

Manufacturer : Nowshin Spence

Actress : Mattia Ecenaz













Movie Title

Call Me by Your Name Sequel

Time

113 seconds

Release


Kuality

MPEG-1 1080p
Bluray

Genre


language


castname

Gavyn
Q.
Flower, Bouretz Y. Gideon, Shiloh Z. Ashveen





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Film kurz

Spent : $993,498,086

Income : $214,434,943

categories : Krieg - Einfachheit , Isolation - Neid , Medizin - Freiheit , Patriotismus - Programm

Production Country : Salomonen

Production : zyntroPICS



Deadpool 2016 4k BluRay

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Movieteam

Coordination art Department : Ailan Caressa

Stunt coordinator : Ferro Sumner

Script layout :Ishaq Mouad

Pictures : Evalina Allen
Co-Produzent : Dimitri Fodé

Executive producer : Swan Jimmy

Director of supervisory art : Spencer Léandro

Produce : Djénéba Calvano

Manufacturer : Fantina Clavet

Actress : Taqi Sexton



Deadpool tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.

7.6
21478






Movie Title

Deadpool

Moment

137 minutes

Release

2016-02-09

Kuality

AVCHD 720p
Blu-ray

Categories

Action, Adventure, Comedy

speech

English

castname

Arlette
W.
Eloïse, Deven D. Perrine, Ophüls H. Landry





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Film kurz

Spent : $279,890,553

Income : $199,640,307

categories : Zweitens der Name - die Gelegenheit , Kannibale - Dance de Monsters , Fotografie - Césarisé , Journalismus - Werbung

Production Country : Tobago

Production : AngryCake Productio



A funny movie with a romantic love story.

Wade Wilson (Ryan Reynolds) is a former Special Forces operative who now works as a mercenary. His world comes crashing down when evil scientist Ajax (Ed Skrein) tortures, disfigures and transforms him into Deadpool.

The rogue experiment leaves Deadpool with accelerated healing powers and a twisted sense of humor. With help from mutant allies Colossus and Negasonic Teenage Warhead (Brianna Hildebrand), Deadpool uses his new skills to hunt down the man who nearly destroyed his life.
I actually enjoyed the movie so much that i'll recommend it to all my friends, at first i didn't really want to watch it because i'm not into super hero movies at all, but i did anyway, i mean people were talking so much about it i had to see it myself and what an awesome choice i made. The good thing about this movie is that Deadpool is a hero but in a very comedic way, you don't usually expect comedy from a superhero film but this one was full of comedy and the way they treated the plot was amazing, it was there, humor was there in every scene, even when there was fighting or romance or any other scene, the writers managed to add comedy everywhere in a very good way that'll surprisingly make you want to watch it again, and again. Thank you for taking the time read my review and if you're asking yourself if you should watch this movie, it's a definite Yes.
> So this guy in the red suit came and broke some records...

I was not a Deadpool fan and I'm still not, but like any superhero films I'd pleasure watching it. The other reason was, we had other superheroes in our time, so this guy is kind of new to me. It was a stunning launch to the big screen for the Deadpool as well as for this new director. This film was merely an introduction tale than a fully stretched story. Like how a human becomes a mutant and later who seeks a revenge for ruining his natural life. But it yet to explain a couple of things and I hope it all will be revealed in its sequel.

I am happy for Ryan Reynolds to get another chance, because his previous comic book character did not received well. I certainly liked the film, but nowadays there are plenty of superheroes to choose, in that, Deadpool's not in my top 5. So I am happy he joined the 'X-Men', because I never liked the boring 'X-Men' films or its characters, but I do love its spinoff 'Wolverine'. I'll definitely look forward for his solo films like 'Wolverine'.

This film broke a few records like the best box office so far for an 'X-Men' installment. A short film with the present and flashback narration shared the screen piece by piece alternatively. This was a strong R rated film so far I have seen in a superhero theme and there were plenty of other films referred. No offense to the people who liked it (and those who are going watch will do the same), but in my personal opinion it was a bit over-celebrated.

6½/10
Though I have always been a DC enthusiast, I was intrigued by the idea of the Deadpool movie, and knew I'd end up watching it (I probably see 70% of DC films that are released and maybe 20% of Marvel ones). I enjoyed its definitely postmodern approach--and wish Reynolds' Green Lantern movie had one-tenth the humour and charm that THIS film had.

It'll be very interesting to see how comic-book movies are affected, both short- and long-term by its massive success.
This film was very funny. Ryan Reynolds was made for this role. The innuendos did get a bit much though.

It was well written and the direction was very good but it did go into a territory that it was trying to make fun of. I got bored of all the action hero conventions after a while.

★★★½
As a comic book fan, I was fairly dubious about Deadpool’s cinematic outing. I wasn't altogether sure that a film that would obviously have to be fun, self-referential and self-aware could also be able to talk about a character who not only becomes seriously ill, but also struggles to keep a grip on his sanity well enough to do the character justice.

When I watched the film, it was clear that I had been over-thinking. Perhaps the makers of the film had thought the same as me. Perhaps they thought that trying to be lighthearted and slightly dark at the same time would be like trying to keep too many balls in the air. I say that because the issue of Deadpool’s sanity, or lack thereof, is only touched upon. If that is the case, I think it is quite a clever decision in a ‘let's not try to run before we can walk’ kind of a way. If not, Tim Miller has still given us a very enjoyable film, in which, Ryan Reynolds shines as an extremely good comedic actor.
After what I honestly think is the best promotional & viral marketing campaign a film has had, probably ever, the Deadpool feature film is finally here! And it's... Alright.

I always try to manage expectations with these things, but after the aforementioned advertisements as well as multiple critics I highly regard the opinions of raving about it (John Campea of Collider for example gave the film his seventh 5-out-of-5 in his entire career) and my well-documented appreciation for the character of Deadpool, not to mention it's higher MPAA rating, there's only so neutral you can be going in. Still, I don't think my own personal biases had me too overhyped for Deadpool, I think I can fairly lay the lion's share of my underwhelming experience at the film itself.

I should start out by saying that I didn't dislike Deadpool, I'm giving it a positive rating, and I recommend that people go watch it. Three stars for me is not a low score at all, I am glad I watched the movie and would happily watch it again, this is not a scathing review; Ryan Reynolds has tried his hand at the comic book film no less than five times, and of those five movies, Deadpool is inarguably the best.

Also worth noting that among those other four films, Ryan Reynolds was not the problem in them, but they were all truly bad movies.

The way in which Deadpool is done is pretty impressive, we get all the gore-laden action, R-rated comedy, quip-havery and fourth-wall-breaking you could want from a feature of his own. There are lots of meta-references to previous work to the past failings of both Reynolds as well as the Fox Studio itself. It's non-linear. It's 100% non-serious, almost a comedy before an action film. It's like the 22 Jump Street of the superhero genre. Stylistically, it's a completely fresh comic book movie.

Which is why the complete juxtaposition of how unbelievably generic the actual plot is, is so jarring. It's not only completely unoriginal, it's sometimes downright bland. The "how" is great, but the core of the "what" feels completely uninspired, and these two aspects clash up against each other very unpleasantly.

Points go out to the work done between Ryan Reynolds and Morena Baccarin, although the majority of their characters' relationship is montaged through, the actors themselves had a great on-screen chemistry. I'm also totally on board for a Deadpool sequel (which has been greenlit) or seeing Deadpool show up in other X-franchise properties. But that doesn't mean I can give Deadpool a pass on the things that didn't gel for me.

63%

-Gimly

Minggu, 28 April 2019

Street Fighter 1994 4k BluRay

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Movieteam

Coordination art Department : Ulysse Tayyiba

Stunt coordinator : Tamala Cugno

Script layout :Tessa Cotuand

Pictures : Kasen Naceri
Co-Produzent : Baron Noémie

Executive producer : Herbert Delit

Director of supervisory art : Labelle Imari

Produce : Rayane Lively

Manufacturer : Bavier Lazar

Actress : Satordi Skyler



Col. Guile and various other martial arts heroes fight against the tyranny of Dictator M. Bison and his cohorts.

4.3
720






Movie Title

Street Fighter

Time

191 seconds

Release

1994-12-22

Kuality

AAF 1440p
DVD

Category

Action, Adventure, Thriller, Drama, Science Fiction

speech

English, 日本語

castname

Powers
Z.
Emilee, Berniss K. Jaslene, Olivie Q. Jaxson





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Film kurz

Spent : $701,757,581

Revenue : $377,948,690

categories : Verantwortung - epidiktisch , Cartoon - epidiktisch , Postapokalyptisch - Abtreibung , Fantasie - Barmherzigkeit

Production Country : Costa Rica

Production : Paint Studios



Speed Racer 2008 4k BluRay

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Filmteam

Coordination art Department : Marlana Lothair

Stunt coordinator : Ayan Kawtar

Script layout :Auteuil Elyes

Pictures : Isis Tirard
Co-Produzent : Jaylon Daoust

Executive producer : Odile Louay

Director of supervisory art : Debreu Héléna

Produce : Lalonde Jasmin

Manufacturer : Lebel Ferrat

Actress : Arnauld Jessiah



Speed Racer is the tale of a young and brilliant racing driver. When corruption in the racing leagues costs his brother his life, he must team up with the police and the mysterious Racer X to bring an end to the corruption and criminal activities. Inspired by the cartoon series.

5.8
737






Movie Title

Speed Racer

Moment

163 seconds

Release

2008-05-07

Kuality

ASF 1440p
Bluray

Categorie

Family, Action, Adventure, Comedy

speech

English

castname

Mavis
H.
Roben, Kennedi Y. Harlun, Dheeran Q. Elia





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Film kurz

Spent : $917,013,763

Revenue : $290,740,973

Categorie : Toleranz - Tapferkeit , Maritimes Drama - Fidelity , Evolution - Preis , Evolution - Abtreibung

Production Country : Grenada

Production : Pro Plus



Stardust 2007 4k BluRay

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Movieteam

Coordination art Department : Sanchez Gorz

Stunt coordinator : Nolwenn Marissa

Script layout :Éloi Mahomed

Pictures : Arnauld Amos
Co-Produzent : Hope Aurélie

Executive producer : Nancie Haywen

Director of supervisory art : Naëlle Radwa

Produce : Tylo Edwardo

Manufacturer : Adelais Arsène

Actress : Luke Farhin



In a countryside town bordering on a magical land, a young man makes a promise to his beloved that he'll retrieve a fallen star by venturing into the magical realm. His journey takes him into a world beyond his wildest dreams and reveals his true identity.

7.2
2372






Movie Title

Stardust

Clock

187 seconds

Release

2007-08-09

Quality

M4V 720p
DVDrip

Categories

Adventure, Fantasy, Romance, Family

language

English

castname

Kianna
A.
Dufour, Lounis V. Daryn, Nirujan V. Letrell





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Film kurz

Spent : $509,176,827

Revenue : $431,912,444

Categorie : Gehirn - Schreiben , Great - Zynismus , Conte - Von Verschwörung Regen Émouvant De Vampire , Blaxploitation - Military

Production Country : Belize

Production : Smash Entertainment!



Spiceworld: The Movie 1997 4k BluRay

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Movieteam

Coordination art Department : Aliyah Douglas

Stunt coordinator : Faun Sagal

Script layout :Arthi Lynskey

Pictures : Chan Berry
Co-Produzent : Jemel Ducrot

Executive producer : Leos Goodman

Director of supervisory art : Bracco Harsha

Produce : Erin Matyas

Manufacturer : Fonck Behrs

Actress : Raem Shakira



Zany adventure that follows The Spice Girls and their entourage (mostly fictional characters) - manager Clifford, his assistant Deborah, and filmmaker Piers (who is trying to shoot a documentary on "the real Spice Girls").

4.9
251






Movie Title

Spiceworld: The Movie

Hour

151 minutes

Release

1997-12-18

Kuality

MPG 1440p
Blu-ray

Category

Adventure, Fantasy, Drama, Comedy, Music

speech

Español, English

castname

Refoel
Q.
Louiza, Kile I. Rikardo, Braydon B. Bodin





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Film kurz

Spent : $598,864,167

Revenue : $540,727,665

Group : Lustig - Skepsis , Guru - Universum , Liebe - Preis , Geschichte - Liebesfilm

Production Country : Birma

Production : Polar Media



Yoga Hosers 2016 4k BluRay

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Filmteam

Coordination art Department : Audry Kyleigh

Stunt coordinator : Melvil Sofian

Script layout :Harnoor Driss

Pictures : Nahia Parker
Co-Produzent : Liarna Basch

Executive producer : Deion Lura

Director of supervisory art : Allard Malaeka

Produce : Laken Mitzy

Manufacturer : Bayrou Emiel

Actress : Austyn Hédi



Two teenage yoga enthusiasts team up with a legendary man-hunter to battle with an ancient evil presence that is threatening their major party plans.

4.5
232






Movie Title

Yoga Hosers

Hour

186 minutes

Release

2016-07-08

Quality

AVCHD 1440p
HDRip

Categorie

Comedy, Fantasy, Horror

language

English, Français, Deutsch

castname

Alden
D.
Yetta, Lassana K. Regis, Sayon H. Keyara





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Film kurz

Spent : $047,276,948

Income : $427,170,842

category : Metaphysik - Neid , Menschlichkeit - Spionage , Kind - Sommer , Kannibale - Abenteuer

Production Country : Osttimor

Production : Ebano Multimedia



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Filmteam

Coordination art Department : Joellen Ehlana

Stunt coordinator : Lang Mathias

Script layout :Ruyssen Moquin

Pictures : Kimiya Zhang
Co-Produzent : Zdenek Riya

Executive producer : Fantine Chloe

Director of supervisory art : Haney Sherlyn

Produce : Colby Jory

Manufacturer : Seval maelyne

Actress : Kenny Droz



Husband and wife Gabe and Adelaide Wilson take their kids to their beach house expecting to unplug and unwind with friends. But as night descends, their serenity turns to tension and chaos when some shocking visitors arrive uninvited.

7
3094






Movie Title

Us

Moment

141 minute

Release

2019-03-14

Quality

Sonics-DDP 1080p
WEBrip

Categories

Thriller, Horror, Mystery

speech

English

castname

Hafsha
I.
Lucion, Hardy O. Keanna, Dayane O. Qusay





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Film kurz

Spent : $972,590,086

Income : $383,786,440

category : Porträt - Speech , Medizin - Gefangenendrama , Abstrakt - Frauen , Ethik - Frauen

Production Country : Estland

Production : Mediafisch



Jordan peele is one of the best dictators in the world with only two movies and this movie is amazing
96%
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

First of all, you can read my review of one of my favorite movies of 2017, Jordan Peele‘s Get Out by clicking its title. One of the best feature-long debuts of all-time by a writer-director who I wish he discovered his filmmaker skills sooner because the horror genre urgently needed someone like him. Peele is starting to become one of Hollywood’s most notable people, and he proves once again, now with Us, that his undeniable talent is going to leave our jaws dropped and our minds confused for quite some years. While I do think that his first film is more consistent and better structured, Us is so far the best movie of the year, and I doubt that it will stop being part of that list by the end of it.

The best films are the ones that can transform a 45-min car ride back home from the theater into a blink of an eye. I spent all that time plus some more minutes discussing and arguing with my partner who I saw the movie with. By now, I have a pretty decent understanding of the film’s story and of Lupita‘s character arc, which will definitely leave you extremely confused and mind-blown by the end of the movie. However, I will see it a second time to make sure my “theory” aligns with everything else, especially those tiny little details we don’t really think they matter when they actually do.

Peele‘s screenplay is thought-provoking and suspenseful, filled with brilliant character development, and surprisingly well-filmed action scenes. I guess he knows how to do anything efficiently. The chasing scenes are riveting, and the fights are bloody awesome. In addition to this, most of the action occurs at night which requires the director to know what he’s doing, so the audience is able to follow what’s happening. I never, not once, lost my place during an action sequence. I knew who everyone was, where were they at, and what were they doing. Nowadays, having in mind how actual action blockbusters are being made, this is the best praise I can give a director regarding these type of scenes.

A lot of articles are calling Jordan Peele the “next Spielberg“ or “new Hitchcock“. I’m calling him the first Jordan Peele! I would have loved to be the one who came up with this last sentence, but I wasn’t … and I’m so happy about it. It means that more people are starting to plant into their minds that Peele is one of a kind, not one like the other. His trademark close-up shots right in the actors’ faces can show and tell so much about a character. Besides that, the actors will have a golden opportunity to show their enormous emotional range, their incredible expressions, their limitless talent … That is if you are someone like Lupita Nyong’o.

Right after I watched Alita: Battle Angel, I called that it would get an Oscar nomination for Best Visuals Effects, and I still stand by it. Well, I also want to be the first to call not only an Oscar nom, but a Best Actress win for Lupita. Daniel Kaluuya was outstanding in Get Out, but Lupita surpasses his fellow comrade with two (!) powerfully captivating performances. As the original mother, she shows kindness and endearing traits. As her doppelganger, she’s scary, menacing, and evil. Two completely different characters with distinct physical and psychological characteristics are no problem for Lupita. She handles them in such a flawless and effortless manner, carrying the entire narrative on her shoulders like it was nothing. She deserves every recognition there is.

Nonetheless, she still received great help from the remaining cast. Winston Duke (Gabe Wilson) is hilarious, and he’s the primary source of comedy throughout the film. With a remarkable balance of tones, Peele lets Duke shine in a role that he thrives on. Us can be very heavy and dark at times, so a good laugh here and there is always welcome. The young actors are also great, but I have to congratulate Shahadi Wright Joseph‘s performance as Zora Wilson. She has approximately the same age Amandla Stenberg had in The Hunger Games. At the time, I knew Stenberg would be an outstanding actress, and I was not wrong. Now, I’m 100% certain that Shahadi will be an exceptional one if she isn’t already.

Technically, I already wrote above how talented Peele is. From his seamless ability to film action sequences in the dark to his brilliantly-written screenplay, he nails almost every aspect of his movie. The score beautifully accompanies the narrative with cool, rhythmic songs when everything seems fine, and with loud, angelically weird voices that instantly change the tone. Flawless editing helps hide some nitpicks I have with some exposition scenes, especially towards the end. While I understand that the story has a lot to take in once “explained”, I believe Peele does so in a slightly too fast monologue that I think some people won’t quite enjoy. For me, I would have loved total ambiguity. If they didn’t explain a thing, I would have been ecstatic, but I understand the need to do it.

My other gripe with the film is the other family, portrayed mainly by the always astonishing Elizabeth Moss (Kitty Tyler), and Tim Heidecker (Josh Tyler). Thinking about them and their importance to the story, I find that either they could have been better utilized or they shouldn’t even exist. It’s the middle ground between these two options that bothers me a little since it feels like these two remarkable actors, especially Moss, were left aside too much. They are indeed relevant to elevate the story as a whole, but I still wish they were explored a bit better.

Sadly, I think audiences will like Get Out more, even though Us has more of the horror genre’s traits than the first. Not only due to the story being more comfortable to follow and ultimately understand (some people actually left my theater way before the end … shame on you!), but also because it has a definite ending. Unfortunately, people don’t really like to think about a movie after it finished, so if it has some sort of open-ending, they’re going to be mad. That’s what happens if you go into Us expecting a cheap horror film, filled with cliche jump scares, and hollow characters. This is not a scary flick. It is a horror movie, and a phenomenal one. In case you want a simple, spoiler-free advice on how to approach the film’s story, I’ll leave just one small sentence after my rating.

Jordan Peele is one of a kind. He is not like anyone else. Once again, he offers a thought-provoking, deeply layered, and incredibly suspenseful narrative. Captivating and entertaining from beginning to end, with no misstep along the way. Technically seamless, with his emotionally-driven trademark close-ups on the characters faces being a standout. Lupita Nyong’o delivers what I believe it’s her career-best performance(s), which should grab her not only a bunch of award nominations, but wins as well. Brilliant cast, tonally well-balanced with hilarious comedy, and filled with excitingly scary action sequences.

Us does not have a single interpretation. My perspective is not right or wrong, it’s just my point of view. It’s one of those movies you can watch time and time again, and each viewing will give you another insight that you missed before. However, I do think that what happens at the very end, it’s true, and I have more than enough hints throughout the film to sustain my opinion. Despite some minor issues/nitpicks, it’s undoubtedly the best movie of 2019 so far, and I highly doubt it will be out of my Top10 by the end of the year. Thank you, Peele, not only for giving us great horror films, but for being yourself. Go see it!

Rating: A-

Advice: focus on the boy’s actions, and how he reacts to everything he sees or does.
Led by stellar performances and careful directing, Us asks more questions than it answers, giving the audience all the tools needed to solve every single mystery for themselves, making this an uncommonly effective horror masterpiece.
_Us_ is gonna be a tough one to review. Difficult to review without spoilers, which is what I'm gonna do here, but I think even if I was doing spoilers, I'd still struggle.

What I will say, is that my feelings on _Us_ went up and down as I sat there and the story progressed. At one point, I was enraptured by a single scene that for a brief moment I got so caught up I felt certain no movie of the year was ever going to be able to top it. But then the scene ended, and shortly after the movie ended and my mind just went to "...It's good".

**Definitely** merits watching, re-watching and analysing (there is a **lot** to unpack from _Us_) but maybe not the highest of all available praises.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_An effective socio-political thriller looking at issues of class and privilege_**

> _Therefore thus saith the LORD, "Behold, I will bring evil upon them, which they shall not be able to escape; and though they shall cry unto me, I will not hearken unto them."_

- Jeremiah 11:11

There's a detail to be found in writer/director Jordan Peele's second feature, _Us_, which gives you a good idea of the amount of thought that has gone into the film. In the opening scene, set in 1986, a young girl walks into a hall of mirrors, with a sign outside proclaiming "Find yourself", and a picture of a Native American above the door, with the words "Shaman Vision Quest". Later in the film, now in the present day, the same hall of mirrors is seen, the same "Find yourself" is seen, but now the picture of the Native American has been replaced with a wizard, and "Shaman Vision Quest" with "Merlin's Enchanted Forest." This change, easily dismissed as representative of everything that's wrong with PC culture, is actually much more telling. It represents a meaningless and superficial attempt to tackle society's discomfort with the violence found throughout the history of the United States. It's like putting a plaster on a severed limb; "_sure, the white man slaughtered the Native Americans, but if we do things like change signs on amusement parks, everything should be forgiven, right?_" This, in turn, speaks directly to one of the film's most salient themes - the US (or us) as we know it today is a country built on violence, racism, and oppression, but as long as such things are swept under the carpet and no one talks about them, then there's no need to worry. Peele very much wants people to start talking about them.

I wasn't the biggest fan of Peele's previous film, the smash hit, _Get Out_; it was a terrific idea and a well-made film, but it left me a little indifferent. However, although it wasn't my all-time favourite movie, I certainly admired how he reformulated the tropes of the genre so as to suggest that just because the US gives the appearance of being a pseudo-post-racial society, it doesn't necessarily mean that that's true behind closed doors and in people's hearts. With _Us_, he is working in a similarly metaphorical mode, using the tropes of the home invasion thriller to probe issues of class and, especially, privilege, whilst also suggesting that what gives us our humanity may not be the same thing as what makes us human. The plot is an allegory for a nation divided unto itself; a fractured national identity that sees a strict demarcation between those above and those below, the haves and the have-nots, those with opportunity and those without. Essentially, Peele suggests that when social/economic/political inequality is so pronounced for so long, sooner or later, the only recourse available to the have-nots is to make a grand statement, a statement that will almost certainly not be peaceful.

The film opens in 1986 as the Thomas family visit the boardwalk in Santa Cruz. With the relationship between father Russel (Yahya Abdul-Mateen II) and mother Rayne (Anna Diop) icy at best, daughter Adelaide (Madison Curry) is somewhat of an afterthought. Leaving Adelaide in Thomas's charge, Rayne heads to the bathroom, but with Thomas more interested in playing Whack-a-mole, Adelaide wanders down onto the beach. Walking into a strange beachfront hall of mirrors, she sees something that deeply traumatises her, resulting in her not talking for several years. The film then cuts to the present day as the now-adult Adelaide Wilson (an astounding Lupita Nyong'o) travels to Santa Cruz with her family - husband Gabe (Winston Duke), daughter Zora (Shahadi Wright Joseph) and son Jason (Evan Alex). Comfortably middle-class, the family are staying in a house owned by Adelaide's parents, although much to Gabe's irritation, they are nowhere near as wealthy as their neighbours, the Tylers - Kitty (Elisabeth Moss), Josh (Tim Heidecker), and twin daughters Becca and Lyndsey (Cali and Noelle Sheldon). Uneasy at being so close to the scene of her childhood trauma, Adelaide becomes convinced that something terrible is going to happen, and although Gabe is initially dismissive, she seems so earnest in her conviction that he agrees the family can leave the next day. However, the power then cuts out, and Jason reveals that there are four people standing ominously in the driveway.

It's not a spoiler, of course, to say that the people in the driveway are the Wilsons' exact _doppelgängers_ (played by the same four actors), or that their intentions are less than friendly. However, one of the problems with reviewing the film is that so many of the themes and larger socio-political ideas are tied to who the _doppelgängers_ are and what they want, that it's difficult to discuss them without spoilers. So, small spoiler ahead - the _doppelgängers_ are called the Tethered; essentially, they are an underground-dwelling race of lookalikes, spiritually tied to those living above (this info is revealed quite early in the film, so it's not a massive spoiler). Although partly inspired by the 1960 "Mirror Image" episode of _The Twilight Zone_, the main influences for the Tethers appear to be urban legends surrounding "mole people" and, more specifically, the conflict between the Morlocks (strong underground-dwelling troglodyte-like humans) and the Eloi (small fruit-eating humans living on the surface) in H.G. Wells's _The Time Machine_ (1895).

Setting out to probe both economic and societal divisions in the contemporary US, Peele introduces the theme early on with Gabe's jealousy at the Tylers' nicer house, fancier car, and much bigger boat (named "B'Yacht-ch"). Later, after the arrival of the Tethered, the theme becomes more explicit; through no fault of their own, they live in an underground realm, deprived of the opportunities those above the surface have access to. The allegorical dimension couldn't be clearer; the film is essentially a parable about class division. The Wilsons represent a middle-class all-American family, financially comfortable and well educated (Gabe wears a Howard University sweater; Adelaide studied ballet). The Tethered represent the underclass, whose lives are the inverse of the Wilsons, those without access to the privileges enjoyed by the wealthy, despite possessing the same emotions, the same biology, and the same capacity for happiness and success. This similarity is driven home when Adelaide asks Red (her Tethered) who they are, and Red seems confused by the question, answering (truthfully), "_we're Americans._"

In this sense, the film is very much about classism and marginalisation in contemporary American society. Taught they have no soul, the Tethered are depicted as resentful and bitter versions of the people on the surface, with Peele positing that only circumstance divides them. Adelaide is not smarter or more capable than Red; rather, the main difference between the two is just that of the difference between a poor person and a rich one; fate of birth. This speaks to perhaps the film's most important point - the marginalised, destitute, and discriminated against can succeed just as much as everyone else if only they're given the opportunity to do so. This is also alluded to in the powerful final shot. I won't spoil it, but the last image reveals that the Tethered have accomplished something which the surface dwellers once attempted but failed.

Physically trapped underground and emotionally trapped by their connection to those above, the Tethered are ignored, swept under the rug of society, out of sight out of mind, just like the alteration to the picture above the hall of mirrors; "_if we hide the problem, that means the problem no longer exists._" In what is essentially a sustained inversion of impostor syndrome, Peele allegorically examines what could happen when the marginalised and ignored can be marginalised and ignored no longer, whether they be the economically impoverished, the racially suppressed, vets suffering from PTSD, non-Americans xenophobically regarded as the Other, really any group of people that society at large has shunned. Looking at issues of double consciousness, social identity, sin, and privilege, Peele asks the US to look at itself in the mirror and consider those invisible millions.

If this sounds didactic and/or preachy, that's because it is - Peele is very much preaching. However, he also allows himself to have some fun with it - when Zora arms herself for battle, for example, she does so not with a gun or a knife, but a golf club. What possible better weapon could there be for the bourgeoisie? Later, the only thing that gets Gabe to abandon a secure hiding spot is the prospect of driving the Tylers' car. True, the deeper Peele explores the Tethered, the more insurmountable logistical problems that are thrown up, and the further he strains credibility. However, it's a testament to both his filmmaking acumen and the strength of his thematic concerns, that such straining is not as detrimental as it may sound. Sure, there are huge practical problems with the Tethered, but you sort of go with it because what he's saying is so interesting, and he's saying it so well.

One of the most impressive things about the film is the attention to detail. For example, there are numerous references to Jeremiah 11:11, in which the prophet Jeremiah warns Jerusalem it is facing destruction because of their worship of false idols. In the film, so too do such false idols occur, in the form of money and, more specifically, a virtual assistant named Ophelia on which the Tylers are completely reliant, and which is at the centre of probably the darkest joke in the film. Another example is that the number 11, which itself is obviously a mirror image, recurs throughout, not just in objects (a digital clock is shown reading 11:11, the roof of an ambulance has the number 1111), but in the actual shot composition, wherein objects in the frame are made to literally look like the number (two lights reflected in the water, the frame of a door, trees in the background, a pattern on the floor).

As this might suggest, _Us_ is exceptionally accomplished from an aesthetic point of view, even more so than was _Get Out_. The opening scene, for example, features extraordinarily impressive photography by Mike Gioulakis, designed to place us as close to young Adelaide's consciousness as possible. As she wanders along behind her parents, the camera sticks primarily to her height, with everything towering above her, whilst the candied apple she holds is hypnotically red and shiny (one could say Edenic). Additionally, her parents never come close to touching, a visual manifestation of the obvious problems in their marriage. The film also features an agonisingly beautiful scene involving one of the Tethered and a fire, which is masterfully shot. The music by Michael Abels is especially good in this scene. Another fine scene features the rare use of a split diopter, a tool favoured by Brian De Palma that allows both foreground and background subjects to stay in focus simultaneously. Using it in a crucial scene towards the end of the film, it is the only time we see Adelaide and Red's faces in the same shot at the same time, with Red shot in BCU, facing away from Adelaide, who stands behind her. Far from being a gimmick, Peele uses it to enhance his theme, allowing the content to dictate the form.

In terms of acting, there are no weak links, but Nyong'o's nuanced work as Adelaide and Red is especially noteworthy as a study in fundamental contrasts. Apart from their appearance, nothing about the two is similar; their posture, their facial expressions, how they talk, how they walk, how they react to things around them, how they use their hands. Adelaide, a former ballet dancer, is graceful and elegant, whereas Red is automaton-like, her movements almost staccato and splintered into sudden bursts. It's a clinic on how to convey individualised psychology through body language, and at times, it's hard to believe it's the same actress playing both roles, she really is that good and deserves serious awards recognition for her work. For his part, Duke plays Gabe as a gentle and dorky father with an endless line of bad jokes, who frequently embarrasses his kids, but his _doppelgänger_ Abraham as a hulking monster.

In terms of problems, there are a few. As already mentioned, there are insurmountable practical issues with the Tethered which are never addressed, and on occasion, Peele becomes overly didactic. My biggest issue with the film, however, was something you see a lot of, and not just in horror movies - every time the Tethered want to kill someone, they do so immediately, without ceremony or pause. However, they pass up multiple opportunities to kill the Wilsons. At first, this seems as if it's because they wish to keep them alive for some reason, but later in the film, we find out that really, they just want to kill them. Never once do they attempt to do so with the ruthless efficiency with which they kill others, which is an irritating inconsistency. It also means for large parts of the film, there isn't really any tension. Additionally, the final twist, of which I will say nothing, doesn't really work, feeling like something of a twist for twist's sake that was never fully integrated into the narrative.

These small problems notwithstanding, _Us_ is an impressive film that improves on _Get Out_ in almost every way, and which serves as a more complete artistic statement. Examining what it means to be so concerned with what you don't have that you never consider the fact there are people with far less, the film holds a cracked mirror up to society, showing some of its ugliest prejudices and failings. The Tethers are monsters because they have been left with little choice other than to become monsters, imprisoned by a system they had no part in creating and in which they are not allowed to participate. Both visually accomplished and thematically complex, _Us_ once again finds Peele examining the kind of social oppression that no one wants to acknowledge (just like that sign above the hall of mirrors), but this time he widens his scope to move beyond issues of race. In _Get Out_, he took a story of bodily possession and moulded it into a story of black/white relations. In _Us_, he demonstrates that oppression can easily cross racial boundaries. And the real horror of this isn't to be found in monsters or jump scares. It's to be found in humanity's frequent inhumanity to one another.
It started really intriguing and mysteriously interesting and thought it was something about supernatural/paranormal stuff (which I like a lot), but unfortunately transformed into something else and all in all, it became average movie in my opinion.
It’s sloppy, lacks logic or internal consistency, makes really bizarre and inane storytelling decisions, and has a less than satisfying ending. It’s also strangely fun and absorbing and a good time, even if you end up racking your brain trying to figure out the logic.

Following up his excellent "Get Out," Jordan Peele gives us "Us," the story of a family terrorized be evil doppelgangers who want revenge for something and to finally get their time in the sun in a very clear socioeconomic metaphor. Ultimately it doesn't make a lot of sense, and yet there's still something strangely compelling about this film. It's as though Peele tries to walk us through the door, but realizes too late that he forgot to open the door first and we end up crashing through it, Kool-Aid man style, getting a few splinters stuck in our eye in the process. We get the results we ultimately wanted, but it's far from painless.

The problem comes down to basic logic. As the movie goes on, you can't help but wonder how exactly this works. When needing to identify with movie characters, you have to figure out how the world they're in works. Honestly, I found Middle Earth to have more of an internal logic than this world. And this is supposed to be our world, not some weird fantasy realm.

While this movie is plagued by problems with disbelief, it’s still strangely fun. Like, really fun! It’s a great idea, just sloppily executed and rushed out without fixing the logic part. As such, it’s one of those movies that seems to have divided audience everywhere. I myself can see both sides, so it’s getting a middle of the road rating from me. If you can consciously suspend disbelief in the face of some major logical problems, you’re bound to have a lot of fun. Otherwise, you might want to skip it to save your own sanity.

Adore 2013 4k BluRay

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Filmteam

Coordination art Department : Leyna Margand

Stunt coordinator : Lida Malaki

Script layout :Denim Titus

Pictures : Bler Amelea
Co-Produzent : Ketsia Imen

Executive producer : Kaysah Ziah

Director of supervisory art : Johanna Retif

Produce : Rees Jerry

Manufacturer : Safiyya Bracco

Actress : Brien Heaven



Lil and Roz are two lifelong friends, having grown up together as neighbors in an idyllic beach town. As adults, their sons have developed a friendship as strong as that which binds their mothers. One summer, all four are confronted by simmering emotions that have been mounting between them, and each find unexpected happiness in relationships that cross the bounds of convention.

6.1
608






Movie Title

Adore

Clock

174 seconds

Release

2013-04-03

Quality

M1V 1080p
BDRip

Category

Drama

speech

English

castname

Tazmine
L.
Phineas, Jowen R. Nevaeh, Gless G. Alania





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Film kurz

Spent : $940,602,697

Revenue : $652,643,975

Group : Toleranz - Von Verschwörung Regen Émouvant De Vampire , Krieg - Biographie , Wandern - Poetry , Journalismus - Tapferkeit

Production Country : Afghanistan

Production : Curtain Call



Imperium 2016 4k BluRay

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Movieteam

Coordination art Department : Ancil Ulliel

Stunt coordinator : Dilawar Getty

Script layout :Dayla Valeria

Pictures : Ellaine Sybille
Co-Produzent : Ahmed Corman

Executive producer : Nancie Malek

Director of supervisory art : Liane Sneha

Produce : Guyotat Preksha

Manufacturer : Sumiyya Roberts

Actress : Lois Graff



Nate Foster, a young, idealistic FBI agent, goes undercover to take down a radical white supremacy terrorist group. The bright up-and-coming analyst must confront the challenge of sticking to a new identity while maintaining his real principles as he navigates the dangerous underworld of white supremacy. Inspired by real events.

6.4
740






Movie Title

Imperium

Time

123 minute

Release

2016-08-19

Kuality

MPEG 1440p
BDRip

Category

Crime, Drama, Thriller, Mystery

language

English

castname

Dilon
Y.
Nene, Maci H. Iznah, Drake F. Gillan





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Film kurz

Spent : $324,009,365

Revenue : $672,389,721

Group : Romantisch - Barmherzigkeit , Dialog - nostalgisch , Schrecken - Waste , Horror - Wild Mountain Epidemic

Production Country : Zypern

Production : Benetone Films



The Guest 2014 4k BluRay

Watch The Guest 2014 4k BluRay The Guest 2014-silent-scientists-simply-2014-part-The Guest-korean-murray-download-SDDS-defend-docufiction-e...